Everything I’ve bought from Jonathan invites you to stretch yourself, or as Jonathan puts it, to be aggressive with your learning. And when you do the exercises and actively engage with the material, you’ll find there are few products on the market that produce as great an impact in your skill development as Jonathan’s do. Jonathan and Doug’s new Belief Craft MP3s are a thorough grounding in two skill-sets: Knowledge Engineering (how to track beliefs conversationally), and Sleight of mouth (how to reframe a person’s belief in at least 16 different ways). Once you actually do the exercises – I found that you immediately start to hear far more belief structures in people’s everyday language. My thinking has become more flexible, and I can more fluidly create fresh perspectives for my clients and friends in everyday conversation.

I recommend Jonathan's NLP Course to anyone who is interested in dramatically improving his or her rapport and communication skills. I am very impressed with Jonathan's quick and practical approach to the questions posed by his students. I have accepted the challenge to continue practicing these skills in the future, and strive to achieve Jonathan's elegance and mastery.

After reviewing your CDs I started realising how applicable it was in creating a new improved voice range. I realised that with very little effort people were listening attentively to me, even in crowded places and in places where machinery is constantly running. My workmates noticed it too, dropping comments as to how 'agreeable' it was to listen to my opinions, and how much more rapport was noticeable! My new girlfriend also refers to my voice as to one of my good qualities, which -- in combination with my other NLP techniques -- makes for my voice a seductive weapon of choice. I am recommending it to my friends. Thanks!

Your CDs arrived safe and sound. I've listened to the first two and worked on the exercises. I'm a 55 year young, professional principal french horn player and have been working in a top German symphony orchestra for the past 30 years. I listened to the bonus telephone interview today. I am blown away. The results, applying your voice exercises to my playing (and to my students) are phenomenal. Resonance plays a huge role in performing on a brass instrument and very few poeple understand much about it. I've picked up useful and practical information, from singers and voice coaches, that I've been able to adapt to brass playing. Explaining resonance is now easy using your nose, mouth, throat etc, approach. The killer though, is using double resonance. I have free at present and don't have to perform in the orchestra (and the hall) until the beginning of Febuary. However, I am itching to hear how my changed sound is in our hall. It has to be amazing. Your material has added wonderfully valuable understandings to my comprehension of what constitutes excellent quality brass player and has beautifully simplified my means of effectively communicating it to my students. There has been a lot of belly laughter, stunned ears and broad smiles in my teaching studio this week. I'm teaching a course to amateur wind and brass players next year and am looking forward to applying your teachings to this particular situation for the benefit of the people attending. Thanks a million. This is one of the few times in my life where I've been gladly reeling and with a huge smile on my face.